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This sonic fusion, which was unprecedented at the time, sparked a dancehall trend that paired with streetwise verses with sweet sing-song hooks. Shabba Ranks and Maxi Priest’s “Housecall,” Shaggy and Rik Rok’s “It Wasn’t Me,” and Mr. Vegas and Sean Paul’s “Hot Gal Today” are just a few examples. International audiences agreed with the new experiment: “Murder She Wrote” reached No. The hit also fared well overseas, peaking at No. 27 on the UK Singles chart.Ĭhart placements, though, don’t do justice to this song’s ceaseless impact. “Murder She Wrote” continues to be a beloved tune that finds people rushing to the dancefloor at weddings, backyard BBQs and clubs. It has even gained traction outside of its own genre, with millennial artists breathing new life into the song. “Murder She Wrote” and its accompanying Bam Bam riddim has either been sampled or interpolated over 50 times by other artists.

Notable highlights include French Montana (2013’s “Freaks”), Omarion (2014’s “Post To Be”), Pitbull (2016’s “El Taxi”), Daddy Yankee (2019’s “Que Tire Pa Lante”), Jason Derulo (2019’s “Too Hot”), IDK (2019’s “December) and HoodCelebrityy (2020’s “Run Di Road”). It even found its way back to its original source. When Murder, She Wrote actress Angela Lansbury first heard the song in 2019, she said, “Oh, reggae! Oh, I’m thrilled to be part of reggae. While “Murder She Wrote” served as a catalyst for Chaka Demus & Pliers’ international recognition, the Tease Me album also enjoyed success, spending two weeks at No. Dancehall is now seen as part of the global pop music lexicon, but its inclusion is partly due to the strides made by artists like Chaka Demus & Pliers. #Chaka demus and pliers instrumental seriesĭuring a time when it dancehall wasn’t predicted to achieve the same victories as its older reggae sister, “Murder She Wrote” proved it was possible for Jamaica’s sounds to extend beyond a Caribbean scale.īlack Music Reframed is an ongoing editorial series on uDiscover Music that seeks to encourage a different lens, a wider lens, a new lens, when considering Black music one not defined by genre parameters or labels, but by the creators. Sales and charts and firsts and rarities are important. But artists, music, and moments that shape culture aren’t always best-sellers, chart-toppers, or immediate successes.

This series, which centers Black writers writing about Black music, takes a new look at music and moments that have previously either been overlooked or not had their stories told with the proper context.Larry Flick from Billboard wrote, "Leave it to this savvy duo to find a different route for its pop-drenched reggae attitude. Hip-shaking staccato beats are prominent in an arrangement of loopy horns and playful vocals.